Perhaps for a “studio” recording I’d add spots to each instrument (or pair in the nonet) but I probably wouldn’t use much of it as the spaced pair is so good. There’s even talk of allowing lossless downloading (like Bandcamp).Īnyhow, these really are excellent.
#Music recording ardour 320kbps#
It’s why if Orfium actually fixed the upload issue I had, I will use that due to the default 320kbps streaming rate. Soundcloud, as good as these recording are, has a tendency to use less-than-ideal bitrates for their lossy codecs.
My one request is I wonder whether you can share even just a snippet of the lossless versions. I feel the same about new flute recordings with his sE8 pair (more on that when I post in that topic). The Rode NT5 omnis prove that for a very good price, excellent results can happen (particularly fine at picking up the clarinet timbre). It doesn’t stop me doing it and also getting a huge thrill when everything goes well. Yes, this is a lovely acoustic and very well recorded (and played)! You say you advise to avoid serving multiple roles and I concur. I served both as audio engineer and the bassoonist/performer - nerve-wracking combination - I advise to avoid it if you can. Recording gear is as simple as possible: a pair of Rodes NT5 with omni capsules, into E-Mu0404USB to Raspberry Pi Zero (headless, controled by Huawei phone), imported to Ardour 5.12 on Dell Inspiron i3 laptop running Debian 9 / custom fluxbox edition This is the third movement from Gounod’s Petite Symphonie for winds. In unlikely event of anyone wanting to use it for a commercial purposes, be warned that it is copyrighted. I didn’t specify composer or title because I shared it solely as basis for audio technical discussion, without asking for permission for publishing it. This is the third movement, Scherzo, from the wind quartet by Zoran Juranić. The ansamble consists of flute, oboe, clarinet and bassoon in first example and flute 2 oboes, 2 horns, 2 bassoons, and 2 clarinets in the second. Recording took place in small town of Kutina, Croatia, in a local Cultural center hall (a combination of cinema and theater hall) with surprisingly nice acoustic. may develop from this couple of real-world examples. I hope further discussion on mic placement, pick up patterns, recording venues, plugins, editing options, etc. Inspired by Complete Classical Music workflow thread, I wanted to share some new recordings from the concert that took place on this Sunday, 11/10/19, directly from the oven, so to speak.
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